Wall Art Decor For Living Room Wisteria, by Claude Monet
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DESCRIPTION
We take pride in having a professional wall art studio based in California. Every piece is thoughtfully designed and crafted right here in our own workshop. From the quality of materials to our customer service, we aim to deliver excellence with every order.
Explore a wide selection of iconic masterpieces, from Van Gogh’s Starry Night to Da Vinci’s Last Supper. Whether you're decorating your home or gifting someone special, you'll find the perfect piece in our gallery.
Museum-Quality Giclée Prints
We use advanced giclée printing technology to create stunning reproductions of fine art and your personal photos. This method ensures:
- Ultra-fine resolution (300 DPI or higher)
- Acid-free, 100% cotton paper for longevity
- Pigment-based inks that resist fading for 100–200 years
- The result exceptional sharpness, vibrant colors, and prints that truly last
Premium Canvas & Framing
- Gallery-wrapped canvases with mirrored or extended edges
- 1.5" thick real wood stretcher bars (never MDF)
- Hand-stretched and ready to hang out of the box
- Every canvas comes with hanging hardware, gloves, and a mini level
Our frames are carefully selected to match each piece, with flannel backing to protect your walls.
Claude Monet's Shipping by Moonlight is a moody, atmospheric painting capturing boats on calm water under the glow of moonlight. The scene is quiet and reflective, showcasing Monet’s signature loose brushwork and subtle play of light and shadow. The soft colors and shimmering reflections evoke a peaceful nighttime harbor, blending realism with impressionistic emotion.
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Title: Shipping by Moonlight
Claude Monet's The Red Kerchief (also known as Madame Monet on the Sofa) is one of his rare interior scenes. It captures a quiet, intimate moment where Monet's wife, Camille, walks past a window wearing a vivid red kerchief. Seen through the glass from inside, she’s partly obscured, creating a feeling of distance and fleeting presence. The contrast of the bold red against the muted winter tones outside adds emotional warmth and draws attention to her figure. The painting reflects Monet’s tender observation of domestic life, layered with subtle emotion and impressionistic technique.
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Title: The Red Kerchief
Claude Monet's On the Boat (circa 1874) is a serene and intimate Impressionist painting depicting Monet’s wife Camille and possibly his son Jean seated in a small rowboat. The scene is tranquil, with soft, fluid brushstrokes capturing the reflection of water and the dappled light. The composition conveys a quiet day of leisure, surrounded by nature, which was a recurring theme in Monet’s work. It also reflects the Impressionist interest in outdoor life, light, and fleeting moments. The use of color and loose technique evoke the gentle rocking of the boat and the calmness of the river setting.
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Title: On the Boat
In Yellow Irises, Monet captures a vibrant patch of irises blooming along the edge of a pond. The yellow flowers burst with life, their vivid color glowing against the soft greens and deep blues of the surrounding foliage and water. Monet’s brushstrokes are loose and expressive, giving the painting a dreamy, almost ethereal quality. Light dances across the surface, reflecting the fleeting beauty of nature. This piece is a serene glimpse into Monet's garden at Giverny, full of warmth, tranquility, and natural charm.
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Title: Yellow Irises
In Wisteria, Monet invites us beneath a delicate canopy of lavender blooms, where the light filters through cascades of hanging flowers. The painting is a soft symphony of purples, blues, and greens, dissolving into one another with Monet’s signature fluid brushstrokes. There's no harsh line—just the dreamlike sense of being wrapped in nature’s quiet, fragrant embrace. The blossoms seem to float in the air, suspended in time, capturing a fleeting spring moment that feels both tender and eternal.
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Title: Wisteria
Winter Sun at Lavacourt captures the quiet hush of a cold day bathed in soft light. A pale sun hangs low over the icy Seine, casting a golden shimmer on the snow-covered riverbank. The houses in the distance lie still, wrapped in the silence of winter. Monet’s brush gently blends blues, whites, and warm yellows, creating a delicate tension between cold and warmth, isolation and peace. It’s not just a landscape—it’s a feeling. A frozen moment where time slows, and light becomes everything.
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Title: Winter Sun at Lavacourt
In Wheatstacks: Snow Effect, Morning, Monet turns the simplest subject—a pair of haystacks—into something holy. Bathed in early morning light, the stacks sit quietly under a blanket of snow, their rounded forms glowing with soft pinks, icy blues, and golden blush. The snow isn't cold here—it’s luminous, delicate, like a whisper across the land. Monet’s brushwork melts edges, making light and color feel alive, shifting with every glance. It’s not just a painting of wheatstacks—it’s a meditation on silence, warmth, and the fragile beauty of a winter dawn.
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Title: Wheatstacks Snow Effect Morning (Meules Effet de Neige Le Matin)
In Waterloo Bridge, Monet paints the Thames not as it is, but as it feels—soft, elusive, drenched in fog and light. The bridge itself emerges like a ghost across the canvas, barely there, wrapped in violet mist and muted tones of blue, pink, and lilac. Smoke from distant chimneys rises and blends into the sky, blurring the line between city and dream. The sun filters through like a secret, turning industrial London into something poetic, almost sacred. Monet isn’t showing us a place—he’s showing us a moment suspended between sight and memory.
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Title: Waterloo Bridge
In Water Lilies and Japanese Bridge, Monet paints his beloved garden not as a place, but as a world unto itself—intimate, lush, and alive with quiet magic. The arched bridge rises gracefully over a pond scattered with lilies, their blossoms floating like soft secrets on the water’s surface. Greens bloom wildly across the canvas, from deep emerald to bright jade, tangled and rich. Reflections shimmer and dissolve, blurring the border between land and sky. It’s a portrait of peace—but not the cold kind. It's overflowing, almost too much beauty to hold in one breath.
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Title: Water Lilies and Japanese Bridge
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